The latest flare-up in the ongoing tension between Blaqbonez and Odumodublvck erupted when Blaqbonez dropped a new track titled “ACL”, featured on his No Excuses album. Almost immediately after its release, the song began generating buzz across social media, as listeners and critics alike interpreted it as a direct diss track aimed at Odumodublvck.
In “ACL”, Blaqbonez delivers sharp, confident verses laced with subliminal jabs that many fans believe are too pointed to ignore. Lines referencing rappers who “build hype through chaos” and “confuse controversy for credibility” were widely seen as allusions to Odumodublvck’s brash style and his frequent online outbursts. Blaqbonez appears to draw a clear line between what he perceives as authentic artistry and manufactured clout, indirectly calling out rappers who rely on virality rather than musical depth to stay relevant.
The song’s tone blends humor with venom — a signature Blaqbonez trait — but this time, there’s a noticeable edge that signals frustration. It’s less about playful competition and more about reclaiming lyrical dominance in Nigeria’s hip-hop space. Blaqbonez seems to be asserting himself as one of the few rappers still championing lyricism, creativity, and originality in a scene he feels is being diluted by internet antics.
Fans of Odumodublvck, however, have been quick to defend their favorite, arguing that Blaqbonez is using the feud for publicity ahead of his album rollout. Some even pointed out that Odumodublvck had previously made subtle remarks about “industry snakes” and “self-proclaimed kings,” which could have provoked Blaqbonez’s response.
The controversy surrounding “ACL” reignited debates about the direction of Nigerian hip-hop — whether it should lean toward lyrical authenticity or street energy and cultural impact. Whatever the case, Blaqbonez’s track has successfully stirred the pot, forcing fans and artists to choose sides, while reaffirming that rap beefs remain a vital — and volatile — part of hip-hop culture.
